We're excited to team up with Soundwaves Art to help support musicians in need during this pandemic. They've created this beautiful artwork based on the soundwaves of FloatOn , and Isaac will be hand-signing each print sold! Jump to. Sections of this page. Accessibility Help. Email or Phone Password Forgot account? Tour Dates. Live Shows.
Strangers to Ourselves
Strongly influenced by Pavement , Pixies , XTC , and Talking Heads , the band rehearsed, rearranged, and recorded demos for almost two years before finally signing with small-town indie label K Records and releasing numerous singles. Judy performed on every Modest Mouse album until his departure in Guitarist Jim Fairchild joined the band in The band's sixth album Strangers to Ourselves was released on March 17, When Isaac Brock was a teenager, he was employed at a local family video store just outside Seattle. This is where he met bassist Eric Judy.
The Atlantic Crossword
September 6 Details on 35 prospective records that are keeping our hopes up for music in , from hip-hop heavyweights Kanye and Kendrick, to welcomed returns from Sleater-Kinney and the Wrens, along with many intriguing collaborations and debuts. January 6 Our contributors pick one song per year-- from Tortoise to Black Star to Animal Collective-- and write about how it fit into their lives. August 15 September 1 A compilation of photography from the Pitchfork Music Festival, including artist portraits by Sanchez and Kitahara.
Comedian and actor Aziz Ansari does a stand-up routine about R. This raises the question: what do you see at a Modest Mouse concert? Until last week, I had no clue. Friends had been trying to sell me on the Seattle-based band since the late 's, casually tossing words like "brilliant" and "genius" into the conversation. To no avail. While Modest Mouse's records were always technically impressive with flashes of real beauty, they ultimately came off as self-indulgent: ambitious but sloppy, intelligent but over-intellectualized. Too often, it seemed, those fragile harmonies and intricate melodies would meander into mere experimentation for experimentation's sake, or collapse outright into dissonance. Maybe this was a genuine expression of the band's vision. Maybe it was the calculated product of a neo-punk ethic that equates accessible pop music with evil. Who cares?